Tutorial: Painting the Dog

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This “mini-lesson” shows step-by-step how I created a watercolor painting of a German Shepard named Lobo.

Barbara Bromley Watercolor painting lobo dog tutorial german shepard

  1. Begin by sketching the dog with an HB pencil.  Make sure your drawing is accurate!  Lighten the pencil lines by dabbing at them with a kneaded eraser.  Contrary to what most books say, once wet, these lines can’t be erased completely.Barbara Bromley Watercolor painting lobo dog tutorial german shepard pencil sketch
  2. Mix the following puddles (a puddle is paint mixed with enough water to dilute it to the desired value):
  • Cobalt blue + Brown Madder (3 puddles: warm purple mixture, red mixture, cool bluish mixture)
  • Burnt Sienna
  • Burnt Sienna + Raw Umber
  • Burnt Sienna + Raw Sienna
  • Sepia + Brown Madder
  • Sepia + French Ultramarine
  • Violet + Burnt Sienna (make two puddles: one more chocolate, and one more burnt sienna dominant)
  • Alizarin Crimson + Burnt Sienna
  1. Mask out small detail areas which you wish to remain white.
  2. Use liquid frisket and a cheap brush coated with standard bar soap to “paint” these white areas.  When the frisket is dry it will look and feel a bit like dried rubber cement.
  3. Next I paint the base washes of the dog.

Glaze water over the entire dog until it glistens evenly;  drop in the following colors and combinations based on where they can be seen in the dog’s face:

  • For the eyes use the raw sienna/burnt sienna & burnt sienna/Alizarin mixtures.  Outline with the cobalt/brown madder mixture, add the pupil using sepia/ultramarine.
  • For the ears paint the raw umber/burnt sienna mixture;  then drop in the cobalt/brown madder mixture;  finish with the ultramarine/sepia mixture before the ear dries.
  • For the face and body let raw umber/burnt sienna bump into ultramarine/sepia & violet/burnt sienna, allowing the colors to blend alongside each other.

** If necessary wet a section at a time to keep the paper wet while painting the base washes of the dog.  It’s important that you paint wet-in-wet not wet-in-dry!!Barbara Bromley Watercolor painting lobo dog tutorial german shepard

  1. Allow all initial washes to dry completely.  Never paint into an area that’s started to dry unless you’re using thick paint straight from the tube.
  2. Rub off the frisket to expose white areas.
  3. Add the final details:
  • Use sepia/ultramarine for dark black highlights.
  • Use Alizarin/burnt sienna for reddish highlights in fur
  • Use a second glaze of raw sienna/burnt sienna and raw umber/burnt sienna to form the area around the mouth and nose.
  • Use a 2nd glaze of alizarin/burnt sienna, cobalt blue/brown madder, and raw umber/burnt sienna for highlights in the dog’s ears.
  • The collar tag is created using alizarin crimson.
  • Use lifting to add lighter areas in the fur.
  1. Finally if you have lost whites such as the whiskers use a rigger brush and a diluted mix of permanent white gouache to paint over the watercolor.

 

Hope you enjoy!  If you have any questions at all, please use the comment form below.

Thanks, and happy painting!

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Living in an upside-down world

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A white breasted nuthatch often travels upside down on a tree trunk. This bird has very strong feet, one for gripping  and the other to stabilize.  This enables the downward movement, allowing it to see and catch the “big bugs” not seen by most birds.  The nuthatch I painted came from photos taken in Concord MA while visiting a treasured friend.  The desire to paint the nuthatch came from the wish to hold on to a joyful memory.

Nuthatch - Watercolor painting by Barbara Bromley. Copyright 2017 Barbara Bromley.

It also fit with my feeling that the world has turned “upside down”.  Not so long ago I was reading books like the following: 7 Habits of Highly Effective People by Stephen R. Covey;  Live and Learn, and Pass it On by H. Jackson Brown Jr., and  Chicken Soup for the Soul, by Jack Canfield and Mark Victor Hansen.

Where have all of these positive forward-looking books and beliefs gone?  Covey’s book promotes “The Character Ethic”  which includes the following habits:

  1. Valuing and respecting  people by understanding a “win” for all is ultimately a better long-term resolution than if only one person in the situation had gotten his way.
  2. Using empathic listening to genuinely understand a person, which compels them to reciprocate the listening and take an open mind to being influenced by you.
  3. Combining the strengths of people through positive teamwork, so as to achieve goals that no one could have done alone.

Maybe rereading these books is a way for me to turn my personal world right side up again.  After all, unlike the nuthatch, I don’t need to catch the big bugs.

Thanks for listening!

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‘Tis the Season

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Watercolor painting, used as the front of my 2016 Christmas card

The front of our 2016 Christmas Card

December marks a special time where kindness to others is focused on more than usual. In that spirit I wish only good things for you. Seasons Greetings! My artwork for 2017 will be filled with children doing the joyous, magic things that give us hope. That is how I plan to keep a positive outlook.

Our granddog Gilly, playing with a Christmas bell

Grand-dog Gilly playing with a Christmas bell

2016 has been a long year! 2017 could prove even more difficult when facing a Trump presidency built on bullying. As a former school teacher, I have spent countless hours educating students to demonstrate positive behaviors. Many after school hours were spent practicing self control skills with children who hadn’t mastered them. I have been thanked by former students who said social skill instruction proved crucial to their success serving America in the military. As an instructor, my biggest challenge was helping bullies lose bad habits and demonstrate positive behavior. Now America has elected a bully ( definition: a blustering, browbeating person; especially: one habitually cruel to others who are weaker.) I will not debate any of the reasons Mr. Trump was elected, but even those who voted for him know he shows patterns of bully behavior learned when he was young. He stands as a role model for our children who represent all of our hope for the future. Most Americans are wonderful role models for our youth. We must be even more proactive and vocal especially now when the message passed on from the top is that it’s acceptable to bully those who don’t look and think like you, or disagree with you.

To all I wish you joy and promise to treat you as I want to be treated. You don’t have to agree with me to get my respect. Your behavior earns it.

Thanks for listening!

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Birding is the Answer – Part 2

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Using the source material from my trip to California, I have been creating cards showcasing  flowers and hummingbirds in watercolor.

Watercolor of several hummingbirds and hand lettered

Originally I thought I was observing  the Rufous hummer, but Toni the gardener from the Hill House set me straight.  It seems though the Rufous & Allen’s look very similar, only the Allen’s breeds in N. California. The male also has a green back further distinguishing it from the reddish brown of the Rufous.   The newly discovered Allen’s hummingbird has filled my summer and fall sketchbooks.  I’ve mixed new watercolor combinations to capture the beauty of the golden oranges, browns, reds, & greens found on this bird.  In the past I always associated hummingbirds with summer due to their fondness for nectar, but the Allen’s colors scream AUTUMN.

I just returned from a visit to Concord, MA where I enjoyed the company of friends who I’ve missed.  While visiting Betsi & Pete, I had the opportunity to photograph nuthatches, chickadees, and cardinals at feeders in their lovely backyard. As it gets cold, plants die, and  birds are drawn to feeders for food, giving us a chance to observe them up close and personal.  I saw a couple hawks watching with interest as well. That fact reminded me of a story relayed by my mother-in-law who saw a beloved cardinal snatched by a hawk near her Michigan feeder which she kept well stocked all winter long .  Ah the food chain……  November will see me happily painting nuthatches climbing down a tree head first, my favorite position.

Happy Birding Everyone!!!

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Mini Lesson – Painting a Bluebird

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This “mini-lesson” shows step-by-step how I created a watercolor painting of a Bluebird.  For reference, here’s the finished painting:

Finished watercolor painting of a Bluebird, by artist Barbara Bromley

1. Begin by sketching the bluebird on your watercolor paper using an HB pencil. Make sure your drawing is accurate. Lighten the pencil lines by dabbing at them with a kneaded eraser. Contrary to what most books say, once wet, these lines can’t be erased completely.

Stage 1, pencil sketch, in preparation for watercolor painting of a Bluebird, by artist Barbara Bromley

2. Use liquid frisket to mask the outline of the bird. Use a cheap brush coated with standard bar soap to “paint” this outline, which will stay white. When the frisket is dry it will look and feel like dried rubber cement.

Stage 2. painting the edges around the bird, in preparation for watercolor painting of a Bluebird, by artist Barbara Bromley

3. Mix the following puddles (a puddle is paint mixed with enough water to dilute it to the desired value):

  • French Ultramarine + Hookers Green (make two puddles: one more bluish & one more greenish)
  • Cobalt Blue + Brown Madder (make three puddles: one dark purple; one reddish; one bluish)
  • Alizarin Crimson + Burnt Sienna
  • French Ultramarine + Paynes Gray + a bit of Alizarin
  • Burnt Sienna
  • Burnt Sienna + Raw Sienna
  • Cobalt Blue
  • Cobalt Blue + Winsor Blue
  • Cobalt Blue + Cerulean Blue
  • Cobalt Blue + French Ultramarine
  • Sepia + French Ultramarine (make two puddles: one very dilute light gray & one almost black)
  • New Gamboge

4. Paint the background

Background Painting

a. Glaze over the entire background until it glistens evenly; drop in the following colors and combinations based on where they can be seen in the photo:

To the left and lower right use French ultramarine/Hookers Green mixtures.

For the upper right (our light source) use more dilute greenish mixture of Ultramarine/Hookers Green; then drop in a bit of New Gamboge and a little Cobalt Blue/Brown Madder (reddish mixture) near the bird

Important – Make sure to paint quickly but stop if background begins to dry. The background can be re-wet after drying completely; Then stronger washes can be added.

b. Rub off the frisket to expose white outline.

5. Paint the base washes of the bluebird.

Stage 4. Paint background and bird further, in watercolor painting of a Bluebird, by artist Barbara Bromley

Applies to steps 5 and 6

Glaze water over the entire bluebird; drop in the following colors & combinations based on where they can be seen in the bluebird:

a) For the head use both the bluish & reddish Cobalt/Brown Madder mixtures
b) For the back of the bird paint Cobalt Blue/Ultramarine mixture. While it’s still wet, drop in a bit of the reddish cobalt blue/brown madder.
c) For the wings & tail use Cobalt Blue/Winsor Blue as well as Cobalt/Cerulean blue
d) For the belly, use very dilute mixtures of Burnt Sienna/Raw Sienna as well as the purple puddle of Cobalt/Brown Madder
e) For the eye, beak, and leg paint the French Ultramarine/Paynes Gray/a bit of Alizaring mixture; then while still damp add the darks with Sepia/French Ultramarine

6) Paint the log

a) Glaze water over the entire log until it glistens evenly. Paint a very dilute mixture of Sepia/French Ultramarine over the entire log.
b) While still wet drop in darker mixtures of Sepia/French Ultramarine on the left and lower middle.
c) Important – Allow washes to completely dry
d) For the final layer, use scumbling to create texture on the branch. Scumbling technique:

1. Squeeze most of the water from a round brush after dipping it in the Sepia/Ultramarine mixture.
2. Hold the belly of the brush (not the tip) flat to the paper and gently wipe it across the surface where it will hit the raised edges (grain) of the paper.

7. Allow all washes to dry! Never paint into an area that has started to dry.

8. Add the final details using wet-on-dry technique.

a) Use Cobalt/Brown Madder mixtures for head and wing details
b) Use French Ultramarine/Paynes Gray/Alizarin and Cobalt/French Ultramarine mixtures for tail details
c) Use purple mix of Cobalt/Brown Madder for detail below the wing
d) Use Burnt Sienna/Alizarin for chest detail

9. To create or regain white highlights, use the lifting technique:

a) Wet the previously dried area with clean water to reactivate the pigment.
b) Use a small bristle brush to scrub away the undesired areas of paint. ** Remember to dab the bristle brush on a paint rag between scrubbings to remove the paint you lifted rather than reapplying it elsewhere.
c) Dab the white areas with tissue.

10. Fini!

Finished watercolor painting of a Bluebird, by artist Barbara Bromley

Hope you enjoy!  If you have any questions at all, please use the comment form below.

Thanks, and happy painting!

Watercolor Hummingbird Signature

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